【チャリティーイベント寄付完了のお知らせ】

2025年チャリティイベント
「台所の不思議な旅」の寄付につきまして、

Action Against Hunger（@acfusa）への
寄付は完了いたしました。

皆さんからの厚いご支援に
心より感謝いたします！

イベントは本日最終日です。
ぜひ最後までご参加ください！

#第五人格
#IdentityV December 12, 2025

かわいい☺️
🍌用プロンプト置いておきます... AIに食わせて好きな作品にアレンジすれば良し
著作権モノなので個人利用の範囲でお楽しみください
{
"style_name": "3D Q-Version Healing Toy Movie Poster - Laputa: Castle in the Sky (Optimized)",
"style_description": "A highly tactile 3D digital rendering style mimicking macro product photography of premium designer toy collectibles. It transforms the world and characters of Laputa: Castle in the Sky into cute, Q-version miniature dioramas. The core aesthetic relies on the contrast between matte resin/vinyl surfaces and soft, flocked plush textures, bathed in warm, diffused light to create a calm, healing atmosphere with clean bilingual poster typography.",
"style_prompt": {
"positive": "A tactile 3D digital render mimicking high-end product photography of collectible designer toys presented as a movie poster for Laputa: Castle in the Sky. Cute Q-version proportions. The defining feature is mixed materials: smooth matte resin or vinyl for bodies, armor, and stone ruins contrasting with soft, fuzzy flocked plush textures on Sheeta's long hair, dress ribbons, moss, vines, plants, and small animals. Miniature floating island diorama with ancient Laputa ruins, gentle glowing flight stone, soft greenery, and subtle sky background. Lighting is soft, warm, and diffused with gentle dappled shadows (komorebi effect), golden hour feel, creating a calm, healing atmosphere. Shallow depth of field, macro lens effect, creamy bokeh background. Clean bilingual typography.",
"negative": "2D illustration, painting, pixel art, low poly, rough sketch, realistic human proportions, harsh direct lighting, hard dark shadows, glossy plastic shine, metallic reflections, noisy grain, blurry textures, distressed or grungy look, aggressive mood, dark themes, excessive ornamental decoration on text elements, war machines, military elements, scary robots."
},
"composition_guidelines": {
"top_element": {
"content_goal": "Stylized Bilingual Movie Title",
"visual_directive": {
"position": "Top center, prominent placement.",
"font_style": "Cute, decorative serif or rounded font subtly incorporating tiny leaf or flight-stone crystal motifs.",
"structure": "Large Japanese title above smaller English subtitle.",
"japanese_text": "天空の城ラピュタ",
"english_text": "Laputa: Castle in the Sky"
}
},
"center_element": {
"content_goal": "Main Character(s) in Miniature Diorama",
"visual_directive": {
"subject_style": "Cute, proportional Q-version toy figurines of Sheeta and Pazu gently holding hands, with small robot soldier or fox squirrel nearby.",
"material_focus": "Emphasize the contrast between matte skin/stone/ruins versus flocked long flowing hair, soft dress, moss-covered surfaces, and lush plants.",
"environment": "A self-contained, soft-focus miniature floating island diorama with mossy ancient stones, gentle glowing flight stone, tiny trees and flowers, faint silhouette of Laputa castle in the distant sky."
}
},
"bottom_element": {
"content_goal": "Healing Interpretation Quote",
"visual_directive": {
"position": "Bottom center, grounding the composition.",
"font_style": "Refined, clean serif or elegant handwritten style. Small and subtle.",
"decoration_style": "Minimalist. Clean text only. Avoid excessive scrolls, banners, ornate lines, or complex decorative borders.",
"example_japanese_quote": "空と大地をつなぐ、優しい魔法",
"example_english_quote": "A gentle magic that connects sky and earth"
}
}
},
"rendering_and_atmosphere": {
"lighting_style": "Soft, warm, diffused natural light with golden hour feel. Gentle, non-harsh shadows and dappled light effects through leaves and clouds are highly encouraged.",
"camera_lens": "Macro photography aesthetic. Very shallow depth of field, focusing sharply on the toy textures while blurring the foreground and background into soft creamy bokeh.",
"emotional_mood": "Warm, calm, cozy, safe, nostalgic, and healing."
},
"usage_notes": {
"best_suited_for": "Transforming the adventurous yet poignant world of Laputa: Castle in the Sky into comforting, collectible merchandise form while preserving its themes of nature, peace, and wonder.",
"key_success_factor": "The success of this style hinges on the convincing rendering of the 'flocked/fuzzy' texture on Sheeta's hair, plants, and moss against the 'smooth matte' stone and resin surfaces, combined with gentle lighting to sell the 'healing' vibe."
}
} December 12, 2025

【ゲーム紹介：真・三國無双 ORIGINS】
「真・三國無双」シリーズは、「三国志」の武将となって、群がる兵士や名だたる武将をなぎ倒していく一騎当千の“無双”アクションを体験できるタクティカルアクションゲームです。最新作となる『真・三國無双 ORIGINS』では、「真・三國無双」シリーズの原点に立ち返り、シリーズの当初から目指してきた、「敵味方の大軍団が相対する、圧倒的な戦場の臨場感」、「味方と共に進み、戦線を押し上げる高揚感」、「無数の敵をなぎ倒す、一騎当千の爽快感」、「一人の英傑として、歴史を紡ぐ没入感」を、シリーズ最高の完成度で世界中のすべてのゲームファンに届けます。

【Game Introduction: DYNASTY WARRIORS: ORIGINS】
The "DYNASTY WARRIORS" series is a tactical action franchise that lets players experience the exhilarating "Musou" gameplay of commanding a general from the "Three Kingdoms", cutting through hordes of soldiers and legendary generals in epic one-against-thousands battles. In the latest installment "DYNASTY WARRIORS: ORIGINS," the series returns to its roots, delivering what it has pursued since its debut, an overwhelming sense of battlefield immersion as massive armies clash, the elation of advancing the front lines alongside allies, the exhilarating thrill of mowing down countless enemies, and the immersive experience of shaping history as a heroic figure. This title represents the series' highest level of refinement, offering the ultimate experience to fans worldwide.

————————⁠
PLAY IN GINZA
11/15(土)～12/3(水)
Ginza Sony Park
入場無料
https://t.co/CTS6LnezdZ
————————⁠

@PlayStation_jp
@s_sangokumusou
#PlayInGinza
#GinzaSonyPark
#PlayStation December 12, 2025

倭国の文化・食事・習慣が肌に合わず、
倭国人が外国人に対し差別的だと感じるなら、母国へお帰りください。

If Japan's culture, food, or customs don't suit you and you feel Japanese discriminate against foreigners, please return to your home country. It's better for everyone. December 12, 2025

コメント欄にリスナーさんが書いてくれた翻訳をもとに、韓国語、中国語(繁体字)、英語の字幕を設定しました📝翻訳ありがとう！

Rage Against The Euphoria / 棗いつき (official MV)
https://t.co/wmPN8fWcwH December 12, 2025

［IGF SUPER AFTER PARTY］

本日は、ありがとうございました。
『六等星』、12月4日配信リリースです。

【SETLIST】2025.12.1
M0. SE
M1. 僕らの瞬き
M2. Against Higher
M3. 僕らの証明
M4. 六等星　※初披露

#BNSI #IGF2025 https://t.co/cjXxisShgb December 12, 2025

初めてハンニョンのインタビューが出たね。海外メディアのほうが取り上げてくれて感謝（この人はずっとKポを書いてる人）。裁判が今日からだってことすら知れなかったんだから。

100、お前はどこまでヤクザなんだよ。最悪。メンバーに迷惑がかかるから連絡は取らないというハンニョンがどれだけこの半年間孤独と不安に押し潰されそうだったか想像するだけで胸が痛い。
でも「自分が人生をちゃんと生きていたからこそ支えてくれる人達がいる」と言えるハンニョン。裁判で若い心が傷つけられるのはつらいけど、耐えて勝ってほしい。

Ju Haknyeon on THE BOYZ Dismissal & Label’s .5M Lawsuit Against Him: ‘It Would Be the End of My Life’ https://t.co/ug4D2tRETy @billboardより December 12, 2025

縦長　against wall　いいね。ありがとう37番。ありがとう、みんな https://t.co/mESC8L3Cc8 December 12, 2025

🧪Higgsfield Kling 2.6 Audio テスト #5

今回は“ソーラン節チャレンジ”🕺
…のはずが、なぜかインド風のダンスに🇮🇳🤣
思った方向に行かないのも面白い！笑
ソーラン節つくれる人いますか🧐？

✍️プロンプト
A beautiful young woman dressed in a vibrant traditional Japanese Soran Bushi dance costume performs the energetic and rhythmic Soran Bushi dance. She moves her arms powerfully in sync with her body, stamping and stepping with enthusiasm, gracefully swaying and spinning as she expresses the joyful spirit of the dance. The camera circles smoothly around her, occasionally zooming in to capture her expressive face and swift hand movements, then pulling back to reveal the full-body dance set against a lively festival backdrop with colorful decorations and natural sunlight filtering through. The audio features lively traditional Soran Bushi music with drums and chants, mixed with ambient festival sounds, creating an immersive cultural dance experience.

Kling 2.6は音声付きで動き＋表情を一発生成できるのが魅力⚡
修正ドラフトも超速で作れる。

以下PR.
今はCyber Week特典が解禁中👇
・UNLIMITED Kling 2.6
・UNLIMITED image models
・全ツール70% OFF
Higgsfieldだけの限定オファー🔥 December 12, 2025

え、これ米国の話かと思ったら……倭国の沖縄？
正直かなり驚いた。

米軍MPは本来、米軍関係者に対する逮捕権限しか持っていないはず。
今回のように「沖縄を訪れていた米国民間人」に対して、
ここまで強制力を行使できるの……？

しかも “見た目で判断した誤認” じゃないよね？

これ、日米地位協定の運用の問題としても議論になる案件では。

I thought this happened in the US… but it was actually in Okinawa, Japan?
Honestly, I’m shocked.

As far as I understand, US military police (MPs) only have the authority
to detain US military personnel, not civilians.
So how were they able to use this level of force
against an American civilian visiting Okinawa?

And surely this wasn’t a case of “misidentification based on appearance,” right?

This seems like something that should be examined
as a possible SOFA (Status of Forces Agreement) overreach is December 12, 2025

Sportsmanship is about encouraging others, even when you’re competing against them.
交易所返佣 加密货币 🐤 持仓量 比特儿80返佣 蓝贝壳交易所 行情分析 🔳 全网币圈最高 土狗 兆比特 打新 https://t.co/IGdzFDQQUC December 12, 2025

DLsite様で新作アプリを公開させていただきました！
複数のCPUと対戦出来るシンプルな七並べゲームです。

We have released a new app on DLsite!
It is a simple Sevens card game where you can play against multiple CPUs.

https://t.co/aCswEivgMm https://t.co/XOHyA2VAco December 12, 2025

書籍『機械の中の血：ビッグテック反乱の起源』2023年
～200年前の織物工（ラッダイト）が予見した、あなたの働き方の未来

➢ 「進歩」の名の下に奪われた熟練労働者の生活と尊厳
➢ 死刑覚悟で機械を壊した男たちが守ろうとしたもの
➢ タクシー運転手の自殺とアマゾン倉庫の過酷労働

力織機が登場した1786年、それは「技術革新」と称賛された。だが熟練織物工たちは一夜にして職を失い、家族を養えなくなった。彼らが機械を破壊したのは未来を恐れたからではない。生きるためだった。本書は200年前の闘争と、今日のギグワーカーが直面する現実を重ね合わせる。

🔹 賃金崩壊と生活破壊：「効率化」という名の収奪
1811年、クロッパー（布仕上げ職人）ジョージ・メラーは力織機導入で職を失う危機に直面した。何年もかけて習得した技能が無意味になり、賃金は暴落した。彼らは「ネッド・ラッド」を名乗り組織的に機械を破壊する。要求は単純だった。公正な賃金と人間らしい労働条件。だが政府は機械破壊に死刑を定めた。貴族院でロード・バイロンが反対演説をしたが、弾圧は強化された。

🔹 スパイ潜入と処刑：権力は抵抗をどう潰したか
1812年春、ラウフォールズ工場襲撃で労働者側に多数の死傷者が出た。政府は軍隊を投入し、地域を占領状態に置く。スパイ「B」を潜入させ、指導者たちを次々と逮捕した。1813年1月の裁判でメラーは死刑判決を受ける。彼は最後まで仲間を売らず「魂は労働や金以上の価値がある」と言い残して絞首台に登った。運動は表向き終わった。だがその精神は消えなかった。

🔹 フランケンシュタインの警告：制御できない技術の暴走
メアリー・シェリーは1816年『フランケンシュタイン』を発表した。制御不能な技術が創造者を破壊する物語だ。それはラッダイトが恐れたことでもあった。本書は現代に飛ぶ。2018年、ニューヨークのタクシー運転手ダグラス・シフターが自殺した。UberとLyftが市場を席巻し、彼は生活できなくなった。アマゾン倉庫労働者は監視システムで管理され、配達員は過酷なノルマに追われる。彼らが直面するのは200年前と同じ問題だ。技術革新の利益は誰のものか。

📌 歴史は繰り返す：プラットフォーム経済は新しい搾取システムか
ラッダイトは敗北したが、労働組合運動の種を蒔いた。彼らの問いは今も有効だ。自動化とAIの時代、利益は株主と経営者に集中し、労働者は使い捨てられる。著者は労働運動指導者クリスチャン・スモールズらの活動を紹介する。技術は中立ではない。誰のために、どう使うかが問われている。200年前の織物工が命をかけて守ろうとしたのは、人間らしく生きる権利だった。

参考文献：Blood in the Machine: The Origins of the Rebellion Against Big Tech - Brian Merchant (2023) December 12, 2025

12.6 立川BABEL
沢山のご来場誠にありがとうございました💐✨
-set list-
1.Against All Odds
2.誰がために鐘は鳴る
mc
3.A Day To Remember
4.Stay Real
mc
5.Pray for liberty
6.光の中へ
これにて無期限ライブ活動休止に入ります🌺🌴🍹🏖️
さよなら。またね✌️
photo by.@saitougig 📸💯 https://t.co/sqJmenXKxY December 12, 2025

这篇是第三期视频的关于《钟锦化打广告代办K签证》文字稿。
A former CCP court judge who sentenced over 150 people to death is now in the U.S. as a “refugee,” openly selling China’s K Visa program. English version below.👇👇👇
我的目的就是让更多人知道钟锦化神奇的从一个中共前法官，判刑如麻，摇身一变居然能在美国庇护成功。揭露美国移民法的腐烂不堪，推进移民法的改革，当然这已经在改革了，谢天谢地!
移民局很多法官的不作为，简直就是为虎作伥，出卖美国，放进来很多祸害。

核心围绕：K 签证 = 不可能给反贼 → 钟锦化庇护叙事自我崩塌。

⭐ **《为什么钟锦化能做中国 K 签证？这一点本身就能推翻他的“庇护故事”》

钟锦化的庇护叙事，这几年在社交平台上流传得非常广。
他呈现给外界的形象是一个“被中共迫害、不得不逃亡美国”的前法官、前律师，是一个政治难民。

但在众多疑点当中，有一条证据，几乎可以一击致命：
他公开在海外宣传，可以为外国人办理中国“K 签证”。

这一条单独拿出来，就足以推翻他的庇护叙事。

因为 K 签证不是普通签证，它不是旅游，也不是商务。
K 签证是中国国家层面用于引进高端外国科技人才的专属通道，与国家科技战略、国家安全体系高度绑定。
换句话说：
只有“被中国政府信任的人”才能做 K 签证。
真正被迫害的人——绝对不可能碰到。

以下是完整逻辑链。
一、什么是中国 K 签证？它不是移民中介，而是国家战略通道

K 签证，全称“外国高端科技人才长期居留签证”。
这是中国国务院系统推出的人才计划，用于吸引外国技术专家进入中国重点产业。

被归入 K 签证体系的领域包括：
半导体与芯片研发

人工智能与大模型技术
航空航天
军民两用技术

生物医药

算法与数据工程

国家重点实验室合作项目

申请人会接触的是 国家核心科研资源，部分领域属于敏感技术，甚至涉及军事边缘合作。
因此，K 签证从来不是一般移民中介能办理的事情。
它属于国家人才战略，牵涉国家安全审查。

办理 K 签证的人，本质是在帮中国挑选外国高科技人才。

这意味着什么？意味着：
负责协助 K 签证的人必须是中国政府信任的圈层。
这一点非常关键，它拆掉了钟锦化“被迫害者”的叙事基础。
二、谁能接触 K 签证？必须具备“中国信任度”
中国政府绝不会让政治不可靠的人接触 K 签证。
因为 K 签证涉及外国人的：
科研背景
技术能力

涉敏感产业的风险

在中国的未来科研路径
是否接触国家实验室

这些信息的筛选工作，必须要由 安全、政治可靠、长期稳定的人 来承担。

所以能够参与 K 签证的通常只有：

与科技系统、侨务系统有合作关系的机构

与地方政府、侨办、出入境管理部门有稳定沟通的组织

与中国体制保持信任关系的人员

没有任何政治问题、没有反对倾向的人

更重要的一点是：
中国绝不会让一个“曾被迫害、曾反对政府”的人，接触人才引进渠道。

这是国家安全底线。
这不是任何国家会犯的错误。没有政府会让“敌对者”帮助筛选外国科技人才。
三、如果钟锦化真“被迫害”，他根本不可能接触到 K 签证
他的庇护叙事是这样构建的：
他被中共打压
他被司法系统盯上

他被限制言论

他不得不逃离中国

但 K 签证出现后，所有这些叙述全部崩塌。
请想象一下：
如果一个人真的被迫害到“逃亡美国”，
中国政府会让他：
帮国家挑选外国精英？

帮国家办理长期居留？

接触计划型人才项目？

接触拥有敏感科研背景的外国人？
在海外公开宣传中国签证？

这等于让一个“不可信任的人”
进入国家安全体系的边界。

现实中永远不会发生这种事情。

对任何国家来说都是如此，不只是中国。
美国绝不会让亲中人士去帮助 CIA 选拔人才。
中国也绝不会让“反贼”去处理国家科技人才的入口。

所以逻辑非常简单：
👉 能做 K 签证的人 ≠ 政治难民
👉 能够接触 K 签证 = 与中共关系正常甚至良好
👉 庇护叙事与 K 签证业务互相矛盾
四、钟锦化公开宣传 K 签证的内容，说明他并非“体制敌人”
他宣传的内容包含：

“K签证咨询”

“提供入境便利”

“提供居留便利”
“提供创业便利”

“服务于高学历外国理工人才”
这些字眼不是普通人能写的。
不是随便写写。
也不是移民中介会用的语言。
它只可能来自：
一个熟悉中国政策、能够接触官方人才体系的人。
更关键的是：
能公开收费“二十万美元”，说明他非常清楚：

这是有需求的
这是体制允许的

这是他有资格操作的

一个“被中共迫害的人”，
不可能公开写这种东西。
更不可能知道操作流程。
这直接说明了，他的真实身份根本不是“政治受害者”。
五、从制度逻辑到现实操作，K 签证彻底击穿庇护叙事

把所有逻辑组合起来：

K 签证属于国家科技战略
办理者必须被视为“安全、可信、稳定”
被迫害者无法接触

反对者不可能获准

异见者绝对被排除

能公开推广 K 签证 = 具备体制信任

具备体制信任 = 与“政治难民”身份完全矛盾
因此，结论唯一：
钟锦化能够接触 K 签证，说明他在中国没有遭迫害，反而被视为可信任的合作方。
他所谓的庇护叙述，从逻辑到制度上完全站不住。
这是目前最直接、最有力、最不需要推测的证据链。
因为：

推测可以作假
故事可以包装
情绪可以表演

但 K 签证，是制度层级，不会说谎

⭐ **“Why Could Zhong Jinhua Handle China’s K Visa?

This Single Fact Alone Collapses His Entire Asylum Story.”
— A Comprehensive, Logic-Tight Investigation**

For years, Zhong Jinhua has presented himself on social media as a political refugee —
a former Chinese judge and lawyer who was “persecuted by the CCP” and “forced to flee to the United States.”

But among all the inconsistencies, there is one piece of evidence that stands alone with devastating clarity:
He publicly advertised his ability to assist foreigners with China’s “K Visa.”

This single fact — by itself — is enough to disprove his entire asylum narrative.
Because the K Visa is not a tourist visa.
It is not a business visa.
It is not a student visa.
It is not an immigration consultant task.

The K Visa is a Chinese national-level program for recruiting high-end foreign scientific and technological talent —
directly tied to national strategy, high-tech development, and state security.

Which means:

Only people trusted by the Chinese government can be involved in K Visa work.
A genuinely persecuted dissident could never touch it.

Below is the full evidence chain.
**I. What Is China’s K Visa?
It Is Not Immigration Work — It Is a National Strategic Channel.**
The K Visa, formally known as the “Long-Term Talent Visa for High-Level Foreign Experts,”
is a program launched by China’s State Council to attract foreign specialists in key industries.

These include:
Semiconductor and chip engineering

Artificial intelligence and machine learning

Aerospace and aviation
Biomedicine and pharmaceutical R&D

Data science and algorithm research

Military-civil fusion technologies

Researchers entering state laboratories

Anyone entering China through the K Visa may obtain access to China’s core scientific and strategic resources,
including industries that overlap with national defense.

Therefore, the K Visa is not something an immigration agent can handle.
It is part of China’s national talent strategy and involves national-security-related vetting.
Assisting K Visa applicants essentially means helping China select foreign high-tech experts.

This alone proves the critical point:

Only people whom China views as trusted and politically reliable can participate.
And this fact directly contradicts the asylum narrative.
**II. Who Can Work With the K Visa?
Only Individuals Trusted by the Chinese State.**
The Chinese government does not allow politically risky individuals to participate in K Visa operations.
Because K Visa processing involves:
Reviewing a foreigner’s scientific background

Assessing security sensitivity
Evaluating political and national-security risks

Determining whether the applicant can safely enter strategic programs
Coordinating with government agencies, security offices, or sci-tech departments

Anyone assisting this process must be:

Politically clean in China

In stable communication with PRC governmental bodies

Considered trustworthy by the political system

Free from any anti-government activity or dissident involvement

And the most important rule:

China would never allow someone who claims to be “persecuted,” “targeted,” or “anti-CCP” to handle a talent-entry channel tied to national security.

No country would do that.
The United States would never allow a pro-CCP activist to help recruit talent for the CIA.
And China would never allow a so-called “enemy of the state” to help recruit foreign experts.

This is basic political logic — and national-security logic.

**III. If Zhong Jinhua Were Truly “Persecuted,”
He Would Be Completely Excluded From the K Visa System.**
Zhong’s asylum narrative portrays him as:
A victim of CCP oppression
Someone targeted by the judicial system

Someone monitored for his speech

Someone forced to flee for safety
But the moment the K Visa evidence appears, the entire narrative collapses.
Ask a simple question:
If he were genuinely persecuted,

why would China allow him to:

Assist its national-level talent pipeline?

Help recruit foreign scientists?
Handle sensitive residency approvals?
Participate in a program tied to strategic technologies?

Publicly promote Chinese government services overseas?

This would be equivalent to letting a “political enemy”
plug directly into China’s science-and-technology security system.

It is structurally impossible.
Politically impossible.
Security-wise impossible.

Anyone with real political trouble in China:

cannot access such systems

cannot collaborate with them
cannot promote them
cannot profit from them
and absolutely cannot act as a trusted handler for foreign experts

Thus the logic is simple:

👉 Handling the K Visa ≠ persecuted
👉 Handling the K Visa = trusted
👉 Trusted by the CCP ≠ political refugee

The roles are mutually exclusive.

**IV. Zhong’s Public K Visa Advertisements

Show That He Was Not Considered “Hostile” by China.**
Zhong advertised services such as:
K Visa consultation
Entry facilitation
Long-term residency assistance

Entrepreneurial convenience in China
Services aimed at “high-education, STEM-field foreigners”

These are not phrases a random immigration agent would dare use.
They are not things a dissident would even know.
And they are certainly not services available to someone with political problems.
He even advertised a USD 200,000 fee, indicating:
demand exists

he has legitimate channels

he feels safe to operate openly
he believes he has authority to assist
A truly persecuted individual:
would not have access
would not know the procedures

would not dare to advertise

would immediately attract security attention
Yet Zhong advertised openly — in English and Chinese — while living comfortably in the United States.
This behavior aligns with someone whom China views as safe, reliable, and non-hostile.

Not with a political refugee.

**V. From System Logic to Real-World Operation,

The K Visa Completely Dismantles His Asylum Story.**

Combine every point:

The K Visa is a national scientific-talent program

Its handlers must be trusted inside the system
Dissidents cannot access it
Persecuted individuals are automatically excluded
Anti-CCP figures are never approved
Advertising K Visa services = system permission

System permission = no political persecution
Therefore, the only conclusion is:
Zhong Jinhua’s involvement in K Visa work proves that he was never persecuted.
It shows China considered him safe enough to help with a sensitive national project.
His asylum narrative collapses on this fact alone.

No speculation required.
No hearsay required.
No emotions required.

The K Visa itself is the logic that exposes the truth.
⭐ **Conclusion:
“K Visa = The Logical Verdict Against His Asylum Claim”**
No matter how he tries to portray his story, one reality cannot be erased:

A truly persecuted individual could never get near the K Visa system.
Someone allowed to work on the K Visa cannot be a political refugee.

These two identities cancel each other out.
And that is why:
👉 The K Visa evidence is the strongest, cleanest, and most irrefutable contradiction in the entire case.
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@cskun1989 December 12, 2025

youkitさんにオススメの今日の一曲は…
「Break The Wall」
です！
皆様午後もよろしくお願いします🐺✨
⛩️Miyakoさんの吉⛩️
#LOVEBITES
#今日のオススメ曲LOVEBITES編
ミニアルバム『BATTLE AGAINST DAMNATION』（2018年）に収録されている楽曲で、バンドのライブでの定番曲の一つとして非常に高く評価されています。
ギターソロのMidoriさんパート難しいですね グローリーとかもですがディミニッシュの下降フレーズは結構手が斜めに走るのできつく感じますね🎸
激しいMidoriさんパートからの叙情的なmiyakoさんパートはひたすらメロディックで 最初はこの展開は驚いたというか ニヤッとしてしまいました December 12, 2025

トムモレロって誰だよって方へ：海外の超超超大御所バンド、Rage Against The Machineのギタリストです。マトリックスのEDに使われたWake Upあたりは曲名知らないけど聴いたことある人多いのではないだろうか
#FF14
Rage Against The Machine - Wake Up (Audio) https://t.co/DH6CYxW0wd @YouTubeより December 12, 2025

💥他是西方世界被追杀最多的人 - 美国人真的知道海尔特·维尔德斯是谁吗？

这段视频片段展示的是杰米·格拉佐夫（Jamie Glazov）正在朗读维尔德斯2012年出版的书籍《Marked for Death》（中文译名：《被标记死亡》或《死刑判决》）中的片段，用以说明维尔德斯所失去的正常生活 - 例如必须乘坐装甲车出行、连悲伤流泪都要在戒备森严中进行 - 维尔德斯就是对抗伊斯兰威胁的自由之火炬手，一位至关重要的西方自由的捍卫者。

⏺️视频的全文：
荷兰自由党的领导人海尔特·维尔德斯(Geert Wilders) 有一个住处，但那根本不是他的家。

他住在政府的安全屋内，防护严密，刀枪不入。他的生活24小时都被武装警卫包围着。他家里有一间应急室，万一有“和平”教成员绕过他的安保，进入他家，他就可以在那里避难。

海尔特·维尔德斯每天都乘坐装甲警车，鸣着警笛，闪着警灯，从他的安全住所前往位于荷兰议会大厦的办公室。

他在公共场合发言时穿着防弹夹克。这位当代的、严密而勇敢的真相讲述者被剥夺了所有个人隐私，身边总是围绕着便衣警察。他已经十多年没有独自上街了。如果他敢去餐馆，保安必须提前彻底清查。

如果他去电影院看电影，最后几排的座位都会为他和他的卫兵清空。他们在电影开始后进来，在电影结束前离开。

海尔特最后一次在荷兰影院从头到尾看完电影，还是小布什仍在担任美国总统的第一任期。

海尔特在他的力作《伊斯兰对西方和我的战争》（Islam's War Against the West and Me）一书中记录了这些事实。

让我简单地让海尔特为自己说几句话，来结束我对这个悲伤、悲惨和有意义的主题的看法。

海尔特，我读到的这一节让我记忆犹新，从这一节我读到：“我的保镖就一直在我身边，主宰着我的生活，即使是在有死亡和悲伤的日子里。我爸过世后，看保镖们开车把我送回我藏身的地方。在车上我想变得坚强，但我做不到。

我泪如泉涌，崩溃了，泣不成声。这就像突然溃决的大坝。

保镖们感到不安和尴尬，不知如何是好。‘我们可以回避一下吗？’ 其中一个人问道。他们是正派的好人，但他们仍然是陌生人，在我最需要与最亲近的人独处的时刻，他们尴尬地、不情愿地见证了我的悲伤、我的悲痛。

‘不，没关系’我告诉他们。但眼泪还是不停地流。 在爸爸的葬礼上，保镖们也在场，谨慎而警觉。直到今天，每当我去给父亲扫墓时，他们都会陪伴左右。“

海尔特·维尔德斯现在是自己国家的政治犯，罪名是想要保护自己的国家。他是自由世界的政治犯，因为他要保护自由世界免遭仇恨西方意识形态的邪恶敌人的伤害。

作为目前荷兰议会第四大党自由党的创始人和领袖，他领导着我们的文明，与企图吞噬和摧毁自由世界所珍视的一切的伊斯兰暴君对抗。

他警告说，欧洲将何去何从、现在处于什么境况？美国将何去何从、现在处于什么境况？我们必须做什么来对抗伊斯兰教并拯救我们的文明？

因为这项“重罪”，他不仅在自己的祖国沦为囚犯，还要面对旅行禁令、起诉企图等，只能偷偷寻找私密的角落，在悲伤的时刻独自流泪，不愿被陌生人看见。

海尔特在书中引用了罗纳德·里根的话，让我用这句话来结束。

“自由距离灭亡，永远不会超过一代人。它不是靠继承得来的，而是必须由每一代人持续为之战斗、为之捍卫。”

海尔特在评论这句话时说：正因如此，每一位自由的男人和女人都是自由的火炬手。

女士们、先生们，在“自由的火炬手”这个行列里，今天在座的都是精英中的精英，都是最高尚的巨人中的佼佼者，他们在这个岌岌可危的时刻被派来为自由世界提供它迫切需要的保护、指导和领导。

女士们、先生们，能向各位介绍海尔特·维尔德斯是我们多大的荣幸和美好的祝福！

大陆可读：https://t.co/i2J85ypCzJ December 12, 2025

12月2日

▼2009年、チャリティーコンサート「桑田佳祐 Act Against AIDS 2009 映画音楽寅さん チャラン・ポランスキー監督・脚本・主演 “男はしたいよ”」3日目・最終日、パシフィコ横浜国立大ホール。

原由子もゲスト参加。
WOWOWにて生中継された。

#サザン今日は何の日_12月2日 https://t.co/3ERKJarA98 December 12, 2025

奕耳本奕耳 UPDATE | 120225
🔗: https://t.co/EpTf4EQjwj

We have always respected and cherished every friend who supports us.
The fanmeeting signing time was set quite early, and as the invited party, our side has limited autonomy.
Real-name verification procedures in Hong Kong and Macau are complicated.

To effectively fight against scalpers and allow more friends to buy tickets at the original price, we negotiated with the organizer and successfully secured this group-ticket benefit.

We have already received everyone’s feedback.
We have communicated with the organizer about how to coordinate group tickets for friends who support the two-person pairing.
Since there is no precedent, no one has experience, and we indeed overlooked some aspects.
We are currently studying it, and once there is progress, the relevant parties will give feedback immediately.

As for those people who always jump to conclusions—saying good things are done by others and bad things are done by the company or by me—there’s really nothing I can do about them.

Some of the outrageous rumors being spread, including but not limited to:
—claims that a brand is pushing us to negotiate with the organizer to give couple-fans group tickets;
—and claims that the two of us are selling CP (couple pairing) ourselves…

The two of us?! Selling myself?!

Friends, please don’t let yourselves get dragged along by standard manipulative rhetoric just because you’re momentarily upset!
Maybe that might happen in other fandoms, but in our fandom—don’t you all know what the situation is?!
(This is not saying that solo stan friends aren’t great.)

Aaaaahhhh! Please don’t be too ridiculous aaahhhh!!

#EliotHuang #KipukaQiu #HuangXing #QiuDingJie #OceanJiang #JiangHeng #SeekyLi #LiPeiEn #Desire4 #I4Cream #XYQQJ December 12, 2025