#ルシードエル #アルガンリッチオイルシリーズ
オイルトリートメント #EXヘアオイル が
「日経POSセレクション 2025 ロングセラー」に選出されました✨

いつもご愛用いただきありがとうございます🩷 https://t.co/AUDgbgJcSQ December 12, 2025

個人的には、AMHが1を切ってくるあたりからは、同じ方でも「周期ごとのブレ」がとても大きくなる印象があります。

つまり、
ある周期では良好胚が複数凍結できるのに、
別の周期ではなかなか結果が出ない。
そういった「変動」が起こりやすくなるんですね。

そう考えると、
刺激法を変えたときに、例えば、Antagoで3つ取れて、PPOSで2つだったから、Antagoの方が良かったと単純には言えません。ブレを見ているだけの可能性もあるからです。

ただ、ブレを解釈するために、特に大事だと思っているのが、周期に入る時点（多くはD3）のホルモン値です。
具体的に、「E2が30以下くらい」「FSHが20未満くらい」
このあたりで周期が始まると、卵巣の反応は良くなりやすいと感じています。

逆に、
E2が50を超えていたり、FSHが下がりきらない周期は、遺残卵胞などの影響で思うようにいかないことが多い印象です。（あくまでも感覚的なものです）

だからこそ、低AMHの方ほど「前周期の調整（pre-treatment）」がとても大事だと感じています。

ただし注意点もあって、
pre-treatmentで内因性のFSHを下げすぎると、外因性FSHにのみ頼る誘発法では、外因性FSHの必要量が増えてしまい、注射費用と回数がかさむというリスクがあります。 December 12, 2025

みんなぁぁ

無理くりなスケジュールの中
壁紙c達成させてくれてありがとう😭

そして、なんと神戸POSに切り替えれました！
応援ありがとう😭

がんばるからなぁ！！！！🔥

パネル開けの画像です！！（一枚しかないパネルですが。。w）

作:相良メオ様（@sgr_meo ）
いつもありがと✨ https://t.co/vXXFJkYJ6Q December 12, 2025

PR0POSE最高だったなぁ
#マルチネ20 https://t.co/2VdzPfJsM3 December 12, 2025

えー！ココ・ロシャのポーズ集、1000個も載ってんの！？😳欲しいけど、英語かぁ…それな😂

Study of Pose: 1.000 Poses by Coco Rocha
https://t.co/uqvNCsuGwe December 12, 2025

ツリーが置かれてからちっこきものがちらほらいて可愛い。入ってきた人が結構な確率で見ていくのも可愛い。みんな作業がんばれー！ #vrc_amane #amanepos https://t.co/ATihZARZtJ December 12, 2025

同じ事務所の‼️相方の‼️
神戸POSの応援凸上がりました✨️
企画凝ってるらしいので覗きに行ってくださいましー✨️✨️
@DBXcRE3YTr69747 https://t.co/5uSSGiRnHx December 12, 2025

イベント行ってきた〜！！🐥かわいい〜！！！
めっちゃ寄りで撮った、撮り方に個性出て笑う
#GooglePixelPosterZoom https://t.co/DE3Gw3kuO6 December 12, 2025

行ってきました！機種変検討しないと！ #GooglePixelPosterZoom https://t.co/aGFA0vTKp7 December 12, 2025

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。

---
Extreme wide-angle perspective and dynamic pose remix edit.
This is an EDIT of the original image, not a new character.

Use the original image as a strict reference for:
– the person’s identity, hairstyle, and overall fashion style,
– the general type of background and location (same street, same room, same beach, same kind of architecture, etc.).

You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design.

Camera and perspective:
– Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look).
– The camera angle MUST change significantly from the original: use dramatic angles such as
• worm’s-eye view from directly below looking up,
• bird’s-eye view from directly above looking down,
• very low angle from the ground,
• high angle from above,
• tilted Dutch angles.
– Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective.
– The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime.

Background consistency:
– Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials.
– Do NOT replace the background with a completely different place.
– Because the camera angle changes, it is allowed and expected that different parts of the environment become visible.
– When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place.

Body parts near the lens (1–2 parts, sometimes 3):
– In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses).
– Vary them from image to image, do NOT always use the same body part.
– Allowed near-the-lens parts include:
• one or both hands / fingers reaching toward the camera,
• one or both feet / shoes / boots near the lens,
• knees or thighs,
• face very close to the lens,
• shoulders or chest close to the lens in a leaning pose.
– The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion.

Pose and overall body (complex and varied):
– Create strong, cool, dynamic poses that match the extreme perspective.
– Randomly use different pose types, including:
• standing with one leg or one arm reaching toward the camera,
• crouching or squatting low to the ground,
• sitting on the floor or on objects,
• lying on the ground with legs or feet toward the lens,
• leaning forward aggressively toward the camera,
• twisting the body, crossing legs, or arching the back for more dynamic lines.
– Allow complex poses where:
• both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer),
• both feet are toward the lens,
• one hand and one foot are both large in the foreground,
• the face is close to the lens while hands or feet are also visible in perspective.
– Maintain believable anatomy even with extreme foreshortening.

Angle and attitude (randomized):
– Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful.
– Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit.
– Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person.

Lighting and rendering:
– Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic.
– Maintain realistic shadows and contact points with the ground or floor.
– High-resolution, sharp details with clear skin texture, fabric weave, and material highlights.

Variation and randomness:
– Each edit should look noticeably different from the original image and from other edits, with different:
• camera angles,
• pose types,
• which body parts are closest to the lens,
• orientation (straight, tilted, from above, from below).
– Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles.

Strict rules:
– Do NOT change the person into someone else.
– Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing.
– Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place.
– Do NOT add text, logos, watermarks, or graphic design elements.
– Do NOT switch to painting, illustration, or anime style; keep it photorealistic.

Overall:
Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment.

Also, below is the prompt for generating the original image. Please use it as a reference.
[Prompt for original image]
#nanobanana2 December 12, 2025

#GooglePixelPosterZoom
ポスターの橋本将生さんへ接近！
ぜひ、音付きで見てください👀

Google Pixel 10 Pro のズームは、最大 100 倍まで✨

#MasakiとShutoとShinoとGooglePixel https://t.co/FZNlxkn12O December 12, 2025

🎄🎅マルダイからのクリスマスプレゼント🎅🎄
コミケ前にあのポスタースタンドPOSUTAが当たる‼️【RPいいね&フォローキャンペーン】
抽選で1名様に、サークル設営アイテムでおなじみの組立式ポスタースタンド『POSUTA(現品)』を1台プレゼント🎉

～参加方法～
①このアカウントを【フォロー】
②このポストを【リポスト(RP)】か【いいね】

期限は12月11日(金)23：59まで⏰
来年以降のイベントに参加される方もぜひお気軽にご応募ください～！よろしくお願いします！
#C107 #コミックマーケット107
#プレゼントキャンペーン December 12, 2025

♪買替だけじゃ、だめですか？
右　左　正面　区変させちゃう
昭和出補はみんなローラーして
自動車いらん　無論連社も
多分破り捨ててた

船を取り合う　戦いなのです！
新しい料補はポポポイっと捨て
POSをポチポチ　楽しくなれる
ここがここがここが世界一の出補〜！ December 12, 2025