pos
0post
2025.12.08 13:00
:0% :0% (-/男性)
人気のポスト ※表示されているRP数は特定時点のものです
Animon(@Animon_Ai)がアップデート!
⠀
高画質4K出力対応
AniFrame Pro 1.5
AniFrame Pro C1.5
Nano Banana Pro💡
⠀
Nano Banana Proが
4K出力できるのがスゴイ!
⠀
Nano Banana Proを画像編集に
使い倒しているわたしに最適。
⠀
あとはPNG出力に対応してくれたら完璧。
⠀
作例:
画像編集
Nano Banana Proで参照画像(引用元)をフィギュア化
⠀
プロンプト:
Transform this illustration into a photorealistic PVC anime figure. Keep the original character’s and robot and background design, pose, and colors exactly the same. Render it as a collectible figurine made of PVC plastic, with realistic painted surface and detailed shading. Apply glossy highlights on areas such as the hair and clothing, matte finish on the skin, and subtle seam lines as seen in real manufactured figures. Use a neutral studio background, professional studio lighting, sharp focus, shallow depth of field, as if photographed for a catalog. December 12, 2025
#posemaniacs
#日々描く
ツイッターランドで見かけた10→15→30→45→60秒と増やしていくと良いみたいなの見て、各秒数10ポーズずつというのを毎日やってみてる。今日は30秒と60秒の比較。なんかだいぶ描けるようになってきたような気がする https://t.co/lOqMTvpqem December 12, 2025
Google pixel初体験してきた〜🫶🏻
遠くからとっても、AI補正かかるのすごすぎる画像全部綺麗🥲👍
#GooglePixelPosterZoom https://t.co/xriiW7fjFz December 12, 2025
ぐぐぴくイベント行ってきたぬんっ( *ˊᵕˋ)✩︎‧₊
お気に入りの写真たち♡
(娘が撮った写真なのぉ〜🤳✨)
#GooglePixelPosterZoom
#MasakiとShutoとShinoとGooglePixel https://t.co/5Po5s8Kc7B December 12, 2025
posfieでも言ったけどマジでその発想がなかった。私にしたらそんな奴いるのかってレベル。成功体験???って感じ。 https://t.co/YEfe5GvwRF
「「推し活」は趣味と言うより高度にパッケージングされた消費行動で、才能を持った..」https://t.co/77tF361AGi にコメントしました。 December 12, 2025
POSUTAのプレゼントキャンペーンは11日、木曜日までです〜!ぜひお気軽に〜!
すでにノーマルPOSUTA持ってる方が当選した場合は別のPOSUTAを贈呈予定でございます☺️✨
#C107 #コミックマーケット107 https://t.co/NraC3wgzBd December 12, 2025
같이 걷는 커플 포즈 Couple walking pose 1 (한정 Limited-time 10cp) by 若松オレ
https://t.co/GAElNXuipN #clipstudio https://t.co/jNpbs6klXS December 12, 2025
건전한 BL 포즈 Wholesome BL pose
346 (50cp) by みやみみ
https://t.co/o76ao8wgcI #clipstudio https://t.co/UswAbGflFH December 12, 2025
一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。
---
Extreme wide-angle perspective and dynamic pose remix edit.
This is an EDIT of the original image, not a new character.
Use the original image as a strict reference for:
– the person’s identity, hairstyle, and overall fashion style,
– the general type of background and location (same street, same room, same beach, same kind of architecture, etc.).
You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design.
Camera and perspective:
– Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look).
– The camera angle MUST change significantly from the original: use dramatic angles such as
• worm’s-eye view from directly below looking up,
• bird’s-eye view from directly above looking down,
• very low angle from the ground,
• high angle from above,
• tilted Dutch angles.
– Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective.
– The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime.
Background consistency:
– Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials.
– Do NOT replace the background with a completely different place.
– Because the camera angle changes, it is allowed and expected that different parts of the environment become visible.
– When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place.
Body parts near the lens (1–2 parts, sometimes 3):
– In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses).
– Vary them from image to image, do NOT always use the same body part.
– Allowed near-the-lens parts include:
• one or both hands / fingers reaching toward the camera,
• one or both feet / shoes / boots near the lens,
• knees or thighs,
• face very close to the lens,
• shoulders or chest close to the lens in a leaning pose.
– The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion.
Pose and overall body (complex and varied):
– Create strong, cool, dynamic poses that match the extreme perspective.
– Randomly use different pose types, including:
• standing with one leg or one arm reaching toward the camera,
• crouching or squatting low to the ground,
• sitting on the floor or on objects,
• lying on the ground with legs or feet toward the lens,
• leaning forward aggressively toward the camera,
• twisting the body, crossing legs, or arching the back for more dynamic lines.
– Allow complex poses where:
• both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer),
• both feet are toward the lens,
• one hand and one foot are both large in the foreground,
• the face is close to the lens while hands or feet are also visible in perspective.
– Maintain believable anatomy even with extreme foreshortening.
Angle and attitude (randomized):
– Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful.
– Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit.
– Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person.
Lighting and rendering:
– Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic.
– Maintain realistic shadows and contact points with the ground or floor.
– High-resolution, sharp details with clear skin texture, fabric weave, and material highlights.
Variation and randomness:
– Each edit should look noticeably different from the original image and from other edits, with different:
• camera angles,
• pose types,
• which body parts are closest to the lens,
• orientation (straight, tilted, from above, from below).
– Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles.
Strict rules:
– Do NOT change the person into someone else.
– Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing.
– Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place.
– Do NOT add text, logos, watermarks, or graphic design elements.
– Do NOT switch to painting, illustration, or anime style; keep it photorealistic.
Overall:
Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment.
Also, below is the prompt for generating the original image. Please use it as a reference.
[Prompt for original image]
#nanobanana2 December 12, 2025
🟡福井県 三方五湖🟡
福井県の若狭湾に面した三方五湖(みかたごこ)は、国の登録湿地にも選ばれた美しい5つの湖(三方湖、水月湖、菅湖、久々子湖、日向湖)の総称です。
湖ごとに塩分濃度が異なり(汽水湖・淡水湖)、珍しい「階層湖」構造を持つ水月湖は、7万年以上連続する年縞(ねんこう)堆積物で世界的に有名で、地球の気候変動研究に大きく貢献しています。
湖畔にはレインボーライン山頂公園や梅丈岳があり、絶景と足湯が楽しめます。
2023年には「水月湖ボートツアー」も始まり、神秘的な湖面を間近で体感できます。
自然・歴史・科学が融合した貴重なエリアです。
🟡 Mikata Five Lakes, Fukui Prefecture 🟡
The Mikata Five Lakes (Mikatagoko), located along Wakasa Bay in Fukui Prefecture, are a group of five beautiful lakes—Lake Mikata, Lake Suigetsu, Lake Suga, Lake Kugushi, and Lake Hiruga—designated as a nationally registered wetland.
Each lake has a different salinity level (brackish or freshwater), and Lake Suigetsu is especially famous worldwide for its rare “stratified lake” structure. Its continuous varved sediments, spanning more than 70,000 years, have greatly contributed to global climate change research.
Around the lakes, visitors can enjoy breathtaking views and footbaths at the Rainbow Line Summit Park and Mt. Baijō.
In 2023, the “Lake Suigetsu Boat Tour” was launched, allowing people to experience the mysterious surface of the lake up close.
This is a precious area where nature, history, and science come together in harmony.
🟡 Prefeitura de Fukui – Mikata Goko 🟡Os Cinco Lagos de Mikata (Mikata Goko), localizados na Baía de Wakasa, na província de Fukui, são um conjunto de cinco belos lagos — Mikata, Suigetsu, Suga, Kugushi e Hiruga — reconhecidos como área úmida registrada pelo governo japonês.
Cada lago possui diferentes níveis de salinidade (lagos de água doce e lagos de água salobra).
O Lago Suigetsu é especialmente famoso por sua rara estrutura de “lago em camadas” e pelos depósitos de varvas (camadas anuais de sedimentos) que se acumularam de forma contínua por mais de 70 mil anos, tornando-se referência mundial em pesquisas sobre mudanças climáticas da Terra.
Às margens dos lagos, encontram-se o Parque no topo da Rainbow Line e o Monte Baijōdake, onde é possível apreciar vistas panorâmicas e relaxar em um banho de pés.
Em 2023, começou o Passeio de barco no Lago Suigetsu, permitindo vivenciar de perto a atmosfera misteriosa da superfície da água.
É uma área preciosa onde natureza, história e ciência se encontram em perfeita harmonia. December 12, 2025
<ポストの表示について>
本サイトではXの利用規約に沿ってポストを表示させていただいております。ポストの非表示を希望される方はこちらのお問い合わせフォームまでご連絡下さい。こちらのデータはAPIでも販売しております。





