【お品書き】
11/23 AGAINST FATE WEST

アクリル自撮り棒は確実あります(コピー本間に合わない場合また調整いたします)
予定狂いましたので申し訳ないです
コピー本は最後まで励みます

楽しみですよろしくお願いします　！！！！！_:(´ཀ`」 ∠): https://t.co/OeJGVot49Y November 11, 2025

すごいインプ、、、
みんなもやりたかったんですね！
プロンプト置いておきます。お好きなキャラクターでどうぞ(少し実写になりがちかも)
----------------------
Based on the uploaded reference character, generate a live-action scene inside a wide Tokyo girl’s apartment — a bright, lived-in one-room that feels almost 1LDK in scale. White walls, warm wooden floor, beige curtains, a low bed with soft bedding, a desk with cosmetics, bookshelves, plants, a standing mirror, a rug, scattered personal items, and a compact kitchen area in the back. The room must have strong depth with clear foreground, mid-ground, and deep background layers.

Place around thirty identical versions of the same character (same face, hairstyle, outfit as the reference) throughout the room, each in a different action or interaction. Vary distance, scale, height, and visibility so the density feels natural.

Foreground (very close to camera / partial occlusion):
- characters walking past the lens, slightly out of focus
- a hand or shoulder entering frame
- one leaning close toward the camera
- one half-visible behind a large plant
- one sitting directly in front, tying her hair
- one kneeling by the desk adjusting objects

Mid-ground (main room area):
- one stretching beside the bed
- one sitting on the bed checking her phone
- one lying belly-down across the bed
- one reaching under the bed
- one organizing cosmetics on the desk
- one flipping through a book on the shelf
- one standing in front of the mirror
- one crouching on the rug
- one leaning against the wall
- one looking out the window
- one adjusting the curtain
- one carrying laundry
- one drinking from a cup
- one tidying pillows
- one sitting on the floor eating snacks
- one doing a small jump or motion blur gesture
- one moving a small chair

Background (deep perspective / near kitchen and hallway):
- one standing near the stove drinking water
- one opening a cabinet
- one sitting on a stool
- one leaning in a doorway
- one walking toward the hall
- one silhouette partly hidden behind the fridge
- one reaching up to a high shelf
- one standing far by the entrance area
- one barely visible through the hallway frame
- one sitting on the floor near the kitchen rug

Ensure strong layered occlusion: foreground characters partially block mid-ground ones, and background characters appear smaller with natural perspective falloff. Scatter the thirty characters organically, avoiding symmetry or grid alignment. Lighting is soft natural daylight from the window, consistent across all characters for full integration.

Placed within a live-action background that matches the illustration’s posture and composition — while faithfully preserving the illustrated texture and style. Realistic lighting, depth of field, and subtle filming effects are applied to blend the illustration seamlessly with the real environment. November 11, 2025

Daweiさんの個人アカウントでのヴァルサプラへのコメント
[Translation]Dawei's comment and vision on Varsapura

私たちは2020年から、ゲーム業界の“王冠の宝石”ともいえる都市系オープンワールドに挑戦し始めました。高品質なストーリー表現、より独自性のあるアートスタイル、そしてゲームプレイでも新しい突破口を持つ、現実の都市を題材にしたオープンワールド作品を作りたいと考えていました。その開発コードネームは PJSH(Project SH)でした。
Since 2020, we have been exploring the "crown jewel" of the gaming industry, the open-world city genre. We aimed to create an open-world project set in a realistic urban environment, featuring a high-quality narrative, a unique art style, and innovative gameplay, codenamed PJSH (Project SH).

しかし、私たちの構想はあまりにも壮大で、チームは最初から全力で大規模に動き出してしまい、私たちが一貫して大切にしてきた「最小のプロトタイプから検証を始める」という How miHoYo makes games の基準に反してしまいました。その結果は当然で、PJSH プロジェクトは2022年末に解散することになりました。
However, our vision was too grand, and the team jumped in full force right away, going against the "How miHoYo make games" principle we've always followed, starting with the smallest prototype to test ideas. The result, as expected, was clear: the PJSH team was unbanded at the end of 2022.

2023年末になり、蔡(浩宇)の頭の中で都市オープンワールドのビジョンが徐々に明確になり、私たちはようやく「すごいプロジェクト」を作ることではなく、「本当はどんな作品を創りたいのか」を整理できました。
It wasn't until the end of 2023 that the vision for the open-world city began to take shape in Tsai's mind (Remark: Hugh Tsai = Cai Haoyu). We finally figured out what we wanted, rather than just making an impressive project.

今回は原点に立ち返り、ゲームづくり本来の楽しさを味わいながら、自分たちの好きな作品を作ります。皆さんにも気に入っていただけることを願っています。
This time, we're returning to our original creative intent, enjoying the true fun of making games, and focusing on creating something we love. We hope you will like it too.
#miHoYo #hoyoverse #Varsapura November 11, 2025

So beautiful to see our worlds brushing against each other like this.
Thank you for the gentle connection. 🫧✨

こんなふうに、
それぞれの世界が
そっと触れ合う瞬間を
見られて嬉しい。
優しいつながりを
ありがとう🫧✨

#fowlplay #silentegg https://t.co/LqjRG73s8Y November 11, 2025

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