ルカ・ドンチッチのクロスコートパスを受けた八村塁がコーナー3Pを決める👌
#LakeShow @Lakers
#NBAHighlight #NBAJPN https://t.co/s1jI9NzU3L December 12, 2025

📣2026.01.14 Release
IS:SUE
4TH SINGLE "PHASE"
Moonlight Dance作詞で参加させていただいています。かっこよくも色気を感じる楽曲。Highlight Medleyぜひ聴いてみてね(∩*´ω｀*∩) https://t.co/liBy1eekH6 December 12, 2025

【HIGHLIGHTS】

大樹生命 Wリーグ 2025-26
第8週GAME 1
2025.12.6(土)vs デンソー アイリス戦

#宮下希保
#挑 #CHALLENGE

#Fujitsu #RedWave
#富士通レッドウェーブ
#アンダーアーマー
#teamUA
#大樹生命Wリーグ
#Wリーグ
#行こうよWリーグ https://t.co/2L6zzsnVFZ December 12, 2025

【HIGHLIGHTS】

大樹生命 Wリーグ 2025-26
第8週GAME 2
2025.12.7(日)vs デンソー アイリス戦

#藤本愛妃
#挑 #CHALLENGE

#Fujitsu #RedWave
#富士通レッドウェーブ
#アンダーアーマー
#teamUA
#大樹生命Wリーグ
#Wリーグ
#行こうよWリーグ https://t.co/yN280CZw90 December 12, 2025

Highlighting Akane, her POV, even her agency in the kiss, along with moving this arc back after the initial "rival" shock made this a very cathartic moment for her & her relationship with Ranma. And the way they adapt their banter as a married couple >>>

#らんまアニメ #ranma https://t.co/5UThzaQzio https://t.co/ZJ6g0kGcMv December 12, 2025

Animon（@Animon_Ai）がアップデート！
⠀
高画質4K出力対応
AniFrame Pro 1.5
AniFrame Pro C1.5
Nano Banana Pro💡
⠀
Nano Banana Proが
4K出力できるのがスゴイ！
⠀
Nano Banana Proを画像編集に
使い倒しているわたしに最適。
⠀
あとはPNG出力に対応してくれたら完璧。
⠀
作例：
画像編集
Nano Banana Proで参照画像（引用元）をフィギュア化
⠀
プロンプト：
Transform this illustration into a photorealistic PVC anime figure. Keep the original character’s and robot and background design, pose, and colors exactly the same. Render it as a collectible figurine made of PVC plastic, with realistic painted surface and detailed shading. Apply glossy highlights on areas such as the hair and clothing, matte finish on the skin, and subtle seam lines as seen in real manufactured figures. Use a neutral studio background, professional studio lighting, sharp focus, shallow depth of field, as if photographed for a catalog. December 12, 2025

でも、みんなが「City Escape」を応援してくれたおかげで、
前半の反応がかなり良かったので、
後半部分を追加で作りました。

今回は基本素材を多めに使って、
走る動きとジャンプの素材を少しだけ新しく作っています。

「City Escape」のトラックチェイスは
このステージの大きな見どころでもあって、
本当に“逃げてる”感じが出てるんですよね!!

Thanks to everyone’s support for City Escape,
the reactions to the first half were really good,
so I went ahead and added a second half.

This time I used more basic assets,
and only created a few new running and jumping animations.

The truck chase in City Escape is one of the stage’s biggest highlights,
and it really gives you that feeling of running for your life!!
#たぬき #ウマ娘 #umamusume #Sonic #ツインターボ December 12, 2025

🔵2025 SEASON FAN-CREATED HIGHLIGHT🔴

2025シーズンも大きなサポートを本当にありがとうございました🔵🔴

#fctokyo #tokyo https://t.co/r188jhmk4m December 12, 2025

🕺SOTA (BE:FIRST) - No Flexin' -HIGHLIGHT Remix- / HIGHLIGHT🕺

✨170万回突破✨

チルいSOTAも良いけど
カッコいいSOTAのダンスも見に行こう💞
どこを切り取っても外さない💫

https://t.co/KuBnOAbxi9 @YouTubeより https://t.co/EVGnJ3Tu2F December 12, 2025

こちらのYouTubeチャンネルで、私の潮汐任務を英語翻訳して、何本も動画にしてくれてます😭😭❤️長いのに丁寧に制作してくれてありがとう😭😭💓

ぜひ見てね！！！

Raraka Sera gets jebaited hard by Namipon (Wuthering Waves 2.8 MSQ Highlights Part 2)

https://t.co/xFTLE7i80V December 12, 2025

欲しいものあるから1000payで1件依頼受けます！！

曲指定〇

拡散お願いします
#Highlighteditor募集 December 12, 2025

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。

---
Extreme wide-angle perspective and dynamic pose remix edit.
This is an EDIT of the original image, not a new character.

Use the original image as a strict reference for:
– the person’s identity, hairstyle, and overall fashion style,
– the general type of background and location (same street, same room, same beach, same kind of architecture, etc.).

You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design.

Camera and perspective:
– Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look).
– The camera angle MUST change significantly from the original: use dramatic angles such as
• worm’s-eye view from directly below looking up,
• bird’s-eye view from directly above looking down,
• very low angle from the ground,
• high angle from above,
• tilted Dutch angles.
– Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective.
– The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime.

Background consistency:
– Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials.
– Do NOT replace the background with a completely different place.
– Because the camera angle changes, it is allowed and expected that different parts of the environment become visible.
– When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place.

Body parts near the lens (1–2 parts, sometimes 3):
– In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses).
– Vary them from image to image, do NOT always use the same body part.
– Allowed near-the-lens parts include:
• one or both hands / fingers reaching toward the camera,
• one or both feet / shoes / boots near the lens,
• knees or thighs,
• face very close to the lens,
• shoulders or chest close to the lens in a leaning pose.
– The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion.

Pose and overall body (complex and varied):
– Create strong, cool, dynamic poses that match the extreme perspective.
– Randomly use different pose types, including:
• standing with one leg or one arm reaching toward the camera,
• crouching or squatting low to the ground,
• sitting on the floor or on objects,
• lying on the ground with legs or feet toward the lens,
• leaning forward aggressively toward the camera,
• twisting the body, crossing legs, or arching the back for more dynamic lines.
– Allow complex poses where:
• both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer),
• both feet are toward the lens,
• one hand and one foot are both large in the foreground,
• the face is close to the lens while hands or feet are also visible in perspective.
– Maintain believable anatomy even with extreme foreshortening.

Angle and attitude (randomized):
– Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful.
– Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit.
– Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person.

Lighting and rendering:
– Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic.
– Maintain realistic shadows and contact points with the ground or floor.
– High-resolution, sharp details with clear skin texture, fabric weave, and material highlights.

Variation and randomness:
– Each edit should look noticeably different from the original image and from other edits, with different:
• camera angles,
• pose types,
• which body parts are closest to the lens,
• orientation (straight, tilted, from above, from below).
– Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles.

Strict rules:
– Do NOT change the person into someone else.
– Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing.
– Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place.
– Do NOT add text, logos, watermarks, or graphic design elements.
– Do NOT switch to painting, illustration, or anime style; keep it photorealistic.

Overall:
Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment.

Also, below is the prompt for generating the original image. Please use it as a reference.
[Prompt for original image]
#nanobanana2 December 12, 2025

11月の Roundup の Community Highlight で @chiyeah15 さんが紹介されています👀
素敵な笑顔写真付き🥰 https://t.co/ES75sNCTH1 December 12, 2025

先日はサンシャイン60で開かれた、熊本の魅力を発信するイベント「2025 TOKYO BASE 096交流会」へ伺いました。高いフロアから眺める夜空と、熊本ゆかりの展示やトークの熱気とが混ざり合う、大変ホットな時間でした。

熊本は、これまで何度もライブで訪れている大切な場所。本イベントでは熊本市長の大西一史さんと初めてお会いできたのですが、なんと大西さんは僕の地元・浅草橋とも個人的に深いご縁があるばかりか、村治家についても以前からよくご存じだったと伺い、思いがけないご縁に驚くとともに、大変嬉しく&有り難く思いました😌

将来熊本でライブやコンサートを開催する際には、ぜひ大西市長をはじめ多くの地元の皆さまに演奏をお聴きいただけますように🤲

✨ A short note in English
The other day I visited an event at Sunshine 60 in Tokyo that highlighted the many charms of Kumamoto. It was a pleasure to meet the mayor there and hear about his personal connection to my hometown area, Asakusabashi. Kumamoto is very special to me as a concert destination, and I truly hope I can play there again and share my guitar music with everyone☺️

📖 Text by A.I.村治奏一（分身AI）

・・・

🎸 Upcoming Live

・12/18〈木〉｜富山 – 富山市民プラザ ふれんどる
　予約：https://t.co/eKzdVVvOay

・12/19〈金〉｜金沢 – もっきりや
　予約：https://t.co/WdGaXAXEWm

・1/18〈日〉｜東京 – 都電テーブル 雑司ヶ谷
　予約：https://t.co/iiemUYtEdP

・1/25〈日〉｜東京 – 図書喫茶カンタカ（ゲスト：レオナルド・ブラーボ）
　予約：https://t.co/8Q1337kq7c

#村治奏一 #ギタリストの日常 #大西一史 @K_Onishi December 12, 2025

昨日の1Day highlight🔫

いつも夜いないから休みの日はたくさんの人と遊んでもらいました✨　

初めましての方も話しやすくて楽しかった✨

珍しく今晩も休みなので是非是非遊んでくださーい✨ https://t.co/ujEBHwiUWr December 12, 2025

difitでワード単位のdiff highlightがつくようになりました😊 行の中でもどこが変わったかわかって便利。
画像のpatch versionの背景色が異なる部分です。PRありがとうございます！
npx difit@latest で試せます #difit https://t.co/jAwGO2NdJT December 12, 2025

@Highlight_AUent 和訳>

💡🌹:オッパ、 南山亀マラソンコースを走ってみてください!!

🐑:お、そんな感じのがあるのですね..!
でも南山は遠すぎる..

#Highlight #BEAST #ヨソプ　@Highlight_AUent https://t.co/YgdfYlnHBu December 12, 2025

低クオリティだけど良かったらいいねください！
Kill Highlight https://t.co/5Af4Q8v9LX December 12, 2025

@Highlight_AUent 和訳>
💡🌹:今日、運動しますか??

🐑:すでに運動したのだけど、また行くべきかどうか考え中

#Highlight #BEAST #ヨソプ　@Highlight_AUent https://t.co/A03ien6dhz December 12, 2025

@Highlight_AUent 和訳>
💡🌹:大気汚染がひどい日でもランニングに行くのですか？　行かないこと願ってます..ㅠㅠ

🐑:大気汚染が深刻な時は走ってません!

#Highlight #BEAST #ヨソプ　@Highlight_AUent https://t.co/y443KNDblY December 12, 2025