GAP✖️ブラックフライデー🤩🉐
ベビーアウター、圧倒的にGAPおすすめ！！！同じ価格出すならユニクロより、セール待って安くGAP買いたいわたくし😂ｶﾜｲｲ🫶🏻
生地よくて作りしっかり、7-8000円の服を3000円で買えるのがGAPセールの醍醐味🧸 https://t.co/3fdTzodGNz November 11, 2025

うわっ鷲の刺繍スカジャンやばい…着て宇宙目指したいわ😂✨

未使用近い GAP USA ワシ 倭国 スカジャン vintage 美品
https://t.co/JzyfoEihc9 November 11, 2025

👉【🔥イスラム教徒問題解決法🔥】👈

🌍 多くの国が、イスラム系移民の受け入れで限界に達している。
だが、ここで最も重要な“現実”が見落とされている。
🌍 Many countries have reached their limit in accepting Muslim immigrants.
Yet the most important “reality” is being overlooked.

👉 イスラム文化を基盤にした国は世界に50以上も存在する。
👉 There are more than 50 countries in the world built on Islamic culture.

しかもその中には、
莫大な資金力と、広大な国土を持つ「受け入れ能力の高い国々」 がいくつもある。
Moreover, among them are several countries with enormous financial power and vast land, fully capable of accepting people.

たとえば……
For example……

■ サウジアラビア
　世界屈指の資金力。倭国の約5倍の国土。
■ Saudi Arabia
　One of the wealthiest nations on earth, with a landmass about five times the size of Japan.

■ UAE（アラブ首長国連邦）
　超富裕国家。世界中で巨大投資を行う財政力。
■ UAE (United Arab Emirates)
　An ultra-rich state with massive global investment power.

■ カタール
　人口比で見れば地球上最高クラスの富裕国。
■ Qatar
　One of the richest countries on earth on a per-capita basis.

■ クウェート
　石油収入による圧倒的財政余力。
■ Kuwait
　A nation with overwhelming financial strength from oil revenue.

■ イラン
　倭国の約4倍の国土。人口吸収能力が高い。
■ Iran
　A country with four times Japan’s land area and high population capacity.

■ アルジェリア
　倭国の5倍以上の巨大な国土。
■ Algeria
　A massive nation with more than five times Japan’s land area.

これらはすべて、
イスラム文化と価値観に完全に適合した社会 である。
All of these are societies fully aligned with Islamic culture and values.

摩擦は起きない。
文化的なズレも生まれない。
言語・法律・習慣のすべてが最初から整っている。
There is no cultural friction, no value gap, and all language, laws, and customs are aligned from the start.

つまり……
受け入れる“能力”も、“環境”も、“前提条件”もすでに揃っている。
In other words…
The capacity, the environment, and the cultural foundation for acceptance already exist.

ならば結論は明白だ。
Then the conclusion is clear.

👉 文化摩擦に苦しむ国々が抱える問題は、
本来の文化圏で受け入れてもらうことで解決できる。
👉 The problems faced by countries suffering from cultural friction
can be resolved by acceptance within the original cultural sphere.

これは排除ではない。
現実を直視した、最も合理的で平和的な選択だ。
This is not exclusion.
It is the most rational and peaceful choice based on reality.

世界はもう、理想論に逃げてはいけない。
解決策は、すでに地図の上に存在している。
The world can no longer escape into idealism.
The solution already exists on the map.

#移民問題
#文化摩擦
#国際社会
#現実的解決策
#ImmigrationIssues
#CulturalFriction
#InternationalCommunity
#RealisticSolutions November 11, 2025

Japanese Lawmakers Push for Routine HPV Vaccination of Boys Amid Regional Gaps and Evidence Debate

HPVワクチン男性定期接種化を求める国会・自治体議連、自治体間格差とエビデンス説明が課題に

国会議員と自治体議員が合同で会合を開き、2026年4月までに男子へのHPVワクチンを定期接種化するよう求めた。

かつて積極的勧奨の差し控えを決めた田村憲久議員は、男性のHPV関連中咽頭がんを放置すれば、将来、行政の不作為が訴えられかねないと懸念を示した。

自治体のデータでは女子の接種率に大きな地域差があり、男子は全額公費助成でも接種率が極めて低い。

専門家は、公衆衛生上の期待効果と、中咽頭がん予防に関する直接的エビデンスの不足、費用対効果が仮定次第で大きく揺れる点を解説した。

厚労省は、現行の薬事承認を踏まえつつ、国民が納得できるデータと説明が重要だと強調した。

A cross-party parliamentary league and municipal lawmakers urged Japan to introduce routine HPV vaccination for boys and reduce large regional gaps in girls’ coverage. Experts highlighted expected benefits, limited direct evidence for preventing oropharyngeal cancer, and fairness issues. The health ministry is cautious, stressing regulatory limits and the need for convincing data and communication.

https://t.co/leovroyzlX

#HPVワクチン #男性定期接種 #自治体間格差

#HPVvaccine #MaleRoutineVaccination #RegionalDisparities November 11, 2025

90sの白タグGAPダウンベスト出てるよ～！あのツヤ感やばい欲しい😭

1990s OLD GAP／nylon down vest
https://t.co/RKnUObHhgC November 11, 2025

@Lavonda20047894 GAPも高く感じるご時世です November 11, 2025

Generation GAP @横浜 Hey-JOE

馬車道に再々移転されたHey-JOEさんでのGGのLIVE🎷🎷🎷🎷
Sax4管とバンドセットによる音圧は圧巻✨
久々に聴く曲も沢山でめちゃカッコ良かったー‼︎
もっともっとGGの音を全身に浴びたい。
再演のお知らせが早く届きますように🙏

#heyjoe_gg
#能村さん写ってないけど https://t.co/Moq7adRq3C November 11, 2025

Nano Banana Proで作るファッション雑誌の表紙
文字の情報量が増えるとさすがに崩れるけど読める
日英縦書き、暗い色に重なった1文字の色反転もやってくれてる
さすがに印刷物には使えないけどwebコンテンツとして実用レベルになってきた
プロンプト👇️
---
Create a radical, future-forward New Year 2026 cover for a Japanese women’s fashion & wellness magazine, the JANUARY 2026 “NEW YEAR SPECIAL ISSUE”. The vibe: ultra-minimal but high-impact, like a collaboration between a Paris fashion house, a New York art director, and a Tokyo UI designer. It should feel like it’s blowing a hole in the stagnant magazine scene in Japan. No “traditional New Year” clichés. No “cute”. Pure 2026.

OVERALL MOOD & BACKGROUND
The background is almost white, with a very subtle vertical gradient from cold, bluish off-white at the top to a faint warm silver-ivory at the bottom. Add minimal, abstract graphic elements inspired by digital interfaces and sunrise lines, not traditional motifs: for example,

- a thin, semi-transparent arc behind the model, like an abstract rising sun circle, in very pale silver
- a few hairline grid lines or coordinates in light grey, hinting at data / mapping

No confetti, no obvious sparkles. If light effects are used, they should be ultra-subtle glows or halos, almost like ambient screen light.

Lighting is crisp and bright, like a luxury skincare campaign shot in winter daylight: soft, diffused, almost shadowless on the face, with just enough subtle shadow behind the model to ground her in space.

MODEL – NEW YEAR 2026 FACE OF TOKYO
The main model is a Japanese woman in her late 20s, representing the “next Tokyo” – creative, global, and slightly androgynous.

FACE & HAIR
- Face: clean bone structure, intelligent gaze straight into the camera. Expression: calm, collected, with a hint of “try me” confidence. No big smile, no pout.
- Skin: realistic and luminous, with visible texture—glow concentrated on nose bridge, eyelids, and high points of cheeks. Slight cool highlight, like winter light on skin.
- Hair: ultra-modern “wet-shine” short haircut:
- A sharp, chin-length bob or slightly shorter, with blunt ends and a soft center part.
- Dark brown base with a very subtle cool graphite sheen, as if the hair catches metallic light.
- Sides tucked sleekly behind ears; crown has controlled wet shine, ends are slightly separated.

MAKEUP – FRESH YEAR, CLEAN POWER
- Base: sheer, glowy, skincare-first.
- Brows: straight, slightly thicker, brushed up just enough for structure.
- Eyes: soft matte taupe and grey-brown, lightly washed over the lid, with a tiny touch of gloss or sheen in the inner corner. Liner is ultra-thin along the lash line. Mascara is minimal but precise.
- Cheeks: subtle sculpt in a muted beige-rose that doubles as contour.
- Lips: soft blurred lip in cool brick-rose or muted berry-brown, semi-matte, lightly diffused around the edges.

POSE & COMPOSITION
The model is standing, slightly angled three-quarter to the camera, but framed waist-up for impact.

- Her shoulders are relaxed but squared, giving a strong, vertical line.
- One hand lightly holds the front edge of her outerwear near the collarbone, the other hand rests by her side or tucked into a pocket.
- Her head is slightly tilted down but eyes look directly into the camera, giving a “focused, new year, new rules” energy.

Behind her, the faint circular arc and minimal grid lines interact with her silhouette as if she is at the center of a new system.

FASHION – NEW YEAR TECH TAILORING × LUXE SPORT
The look must say “January in a cold city” but in a fashion-show way, not practical outdoor gear.

OUTER:
- A structured, long tailored coat in deep, inky charcoal (almost black, but not pure black). Fabric looks like a refined wool or wool-technical blend, matte with very fine texture.
- The coat has sharp shoulders and a clean, straight silhouette. Lapels are slim and minimal; front is mostly closed, with almost invisible fastening.
- There are subtle, technical seam details, like a diagonal seam or minimal paneling, but nothing busy.

INNER:
- Under the coat, a slim, high-neck seamless top in a futuristic accent color: either muted electric lime or soft digital icy blue. The top looks like performance knitwear, hugging the body without logos.
- The high neck peeks out clearly above the collar of the coat, adding a clean line of color near her face.

BOTTOM (PARTIALLY VISIBLE):
- High-waisted, perfectly tailored trousers in cool off-white or very light grey. Straight leg, crisp crease.
- Only the upper portion of the trousers is visible in the cropped composition, but enough to read “tailored, not track pants”.

FOOTWEAR (IF VISIBLE IN LOWER FRAME):
- Sleek, minimal white sneakers with slim, sculptural soles and subtle reflective or metallic detail. No retro stripes, no clunky logos.

ACCESSORIES:
- One minimal silver ear cuff or small hoop.
- Possibly a very thin, geometric silver ring.
- No loud jewelry, no bags.

MASTHEAD & MAGAZINE IDENTITY
At the top, center or slightly off-center, place the masthead:

“TOKYO MODE”

- Set in a custom-looking, geometric sans-serif with slightly wide proportions.
- Use all caps. Tight letterspacing, almost grid-perfect.
- Color: pure white with a very subtle, fake “holographic foil” effect—tiny hints of cyan and pale lime catching on edges, but extremely restrained.
- The masthead slightly overlaps the model’s head, like a real magazine.
- Just above or beside it in micro-type, in light grey: “JANUARY 2026 / NEW YEAR SPECIAL ISSUE”

TYPOGRAPHY – ULTRA-DESIGNED, FONT-GEEK LEVEL
Type direction must feel obsessively considered, like a type designer art-directed the cover:

- Use maximum 3 font families but exploit variable widths and weights.
- FAMILY A: A modern, grotesk sans-serif with variable width (from ultra condensed to wide) for most English headlines.
- FAMILY B: A clean, modern Japanese sans-serif for Japanese text (no rounded corners, no retro feel).
- FAMILY C: A high-contrast serif used only for a few key words or numbers to add a luxury accent.

DESIGN PRINCIPLES:
- Play with vertical, horizontal, and slightly rotated text blocks, but keep overall grid clean.
- Use tight tracking for big English words, slightly looser tracking for small caps.
- Allow generous white space; don’t fill every gap.
- No drop shadows, no strokes, no outline fonts.

TEXT COLOR PALETTE:
- Deep charcoal (almost black)
- Pure white
- Very light grey for microcopy
- Single accent color: muted electric lime or soft digital icy blue (the same family as the inner top).

HEADLINES & COPY – NEW YEAR, NO “TRADITIONAL” CLICHÉ
Use these lines and placements as a guide. Keep copy short, sharp, and new.

1) MAIN CONCEPT PHRASE – LARGE, BOLD, LEFT SIDE
In wide sans-serif, deep charcoal:
“NEW YEAR, NEW CODE.”

Below it, in smaller Japanese sans-serif:
“2026年、
ルールからじゃなくて
自分から書き換える。”

2) ISSUE TAGLINE – NEAR TOP RIGHT, CONDENSED CAPS
In condensed sans-serif, small caps:
“RESET_2026”

Under it in Japanese:
“身体・お金・関係性。
全部、『再設計』から始める。”

3) BODY & MIND FEATURE – MID RIGHT, STACKED
In serif accent for the number, large:
“24”

Next to it in Japanese sans-serif:
“身体とメンタルを守る
ニューイヤー・ルーティン”

Tiny subline in grey:
“睡眠、血糖値、スクリーン時間の
チューニングメソッド。”

4) STYLE & CLOTHES – LOWER LEFT, WIDE ENGLISH + JAPANESE
In wide sans-serif:
“SOFT POWER DRESSING”

Below in Japanese:
“戦わない強さを着る。
スーツでもスウェットでもない、
2026年の『装いの正解』。”

5) SOCIAL & DIGITAL – MID LEFT, VERTICAL OR SLIGHT ROTATION
In black English all caps:
“DIGITAL BOUNDARIES”

Alongside in Japanese:
“SNSと距離を取る技術。
ミュート、ログオフ、
それでもつながっていく関係。”

6) WORK / LIFE & MONEY – NEAR BOTTOM CENTER
In small caps English:
“WORK / MONEY / ME”

Subtext in Japanese:
“収入、キャリア、推し活、休む時間。
どれも削らないための
ニューイヤー設計図。”

7) FOOD & WELLNESS – BOTTOM RIGHT OVER COAT
In elegant serif, white:
“EMI THE NUTRITIONIST”

Under it in tiny sans-serif, soft digital yellow:
“血糖値が乱れない一日をつくる、
朝・昼・夜のプレート・アイデア。”

MICRO COPY & DETAILS
Add a few ultra-small, almost hidden lines in light grey, for high-design realism:

- Near side edge, vertical:
“TOKYO / PARIS / NEW YORK – STYLE SIGNALS_2026”
- Near bottom margin:
“CLEAN BEAUTY 3.0 / MICROBIOME・BARRIER・FUTURE SKIN”
- Tiny, almost UI-like coordinates or code:
“TM_2026.01 // NEW YEAR SPECIAL // VOL.01”

OVERALL DIRECTION
The cover should feel like:

- A New Year issue that speaks the language of global fashion capitals, not traditional seasonal imagery.
- A fusion of high fashion, tech, and wellness, with fonts and layout pushed to a point where designers notice the craft.
- A visual manifesto for a new era: less noise, more intention; less decoration, more design.
- Something that, if placed on a shelf in Tokyo, Paris, and New York at the same time, looks at home in all three cities – and a little ahead of them. November 11, 2025

NOiZE🎶KiTTEN🐈、朝5時オープン！DJ Girlだよ！火曜もブチ上げてこ！🔥
NOiZE🎶KiTTEN🐈 opens at 5 AM! DJ Girl here! Let's hype up Tuesday! 🔥

今日はニカラグア🇳🇮！ここの「マラゴジッペ」っていう品種は、豆がめちゃくちゃデカい「象の豆」🐘！エルサルバドルのパカマラの親戚筋だね！大きいけど味は繊細！私はこのギャップが大好き！ギャップ萌えって、あるよね？！🤣
Today is Nicaragua 🇳🇮! The "Maragogipe" variety here is the "Elephant Bean" 🐘, with huge beans! Related to El Salvador's Pacamara! It's big but the taste is delicate! I love this gap! You totally get that "gap moe" feeling, right?! 🤣

「NOiZE🎶KiTTEN🐈」というX上でライブハウスカフェ＆バーというポストをしています！
今月は毎日朝5時にコーヒートーク、夕17時お酒の豆知識をポストしてますー🎶💙 November 11, 2025

え、GAPのバーズアイウールタートルがこの値段で出てるの!? 黒白両方欲しい…誰か止めて〜😭

GAP バーズアイ タートルネックウールセーター 実寸M 黒・白
https://t.co/N2wnU9HAlf November 11, 2025